In Claim Tickets for Stolen People, Quintin Collins embraces a range of poetic forms and registers to show the resilience of Blackness in a colonized world. The tension between mortality and vitality is ever-present, whether Collins is charting his daughter’s emergence into being, cataloging the toll of white violence, or detailing the exuberance of community, family, and Chicago and Boston life. In Collins’s hands, the world is exquisitely physical and no element is without its own perspective, whether it is a truck sheared by a highway bridge or bees working through the knowledge that humans will kill them, burn their homes, and steal their honey. All goes toward honoring Black grief, Black anger, Black resistance, Black hope—and the persistence of Black love.
About the Author
Quintin Collins is a writer, an editor, and the assistant director of the Solstice Low-Residency Master of Fine Arts in Creative Writing Program. He is also the author of The Dandelion Speaks of Survival.
“Reading Claim Tickets for Stolen People creates the feeling one has studying a transcendental sonogram: Collins’s poetry brings inner life into focus. Blackness is reclaimed, celebrated, embodied. He can give shape to Barack Obama’s tan suit and Jimi Hendrix’s guitar. He can be furious, funny, and fatherly in a single poem, with a range as broad as his compassion. This is a marvelous book. Claim Tickets for Stolen People gives shape to our magical, mercurial world.” —Terrance Hayes
“Collins deftly speaks back to every accusation, rumor, and lie America has flung across his back, devours every myth America trembles behind, and reclaims history in every ordinary moment of these poems. In every ordinary thing he has spoken here, he re-discovers joy, wonder, sorrow, and fear.” —Mark Turcotte
“Born of still life and lyric, Collins’s sophomore collection is an excavation of America that leaves no question unasked. With masterful sonic resonance, he demonstrates the saliency of our reclamation and the ways in which Black bodies are redemption songs, humming . . .” —Daniel B. Summerhill
“Claim Tickets for Stolen People is an alternative history book in which Black storying, Black sayings, and Black mythology are the truest things we know. It is a new gospel that hones in on shared moments within Black experience—the sound of a radiator thundering at night, the sight of an uncle’s chest hair silvering through his Figaro chain, the way sugar makes a home in the blood of our elders. With an archeologist’s precision, Collins digs a Black truth from the soil of historical erasure, from the graves of those we have lost to white supremacist violence.” —Taylor Byas
“Claim Tickets for Stolen People is that first sip of ice cold water on a summer day where the concrete sizzles. Collins’s tight control of rhythm and language pop with vignettes that surprise while retaining the familiar scent of home. A quick-witted, empathetic consideration of the memories that make us.” —Jeni De La O