From a master of contemporary fiction, a tale of bohemian youth on the make in Mexico City
Two young poets, Jan and Remo, find themselves adrift in Mexico City. Obsessed with poetry, and, above all, with science fiction, they are eager to forge a life in the literary world--or sacrifice themselves to it. Roberto Bolaño's The Spirit of Science Fiction is a story of youth hungry for revolution, notoriety, and sexual adventure, as they work to construct a reality out of the fragments of their dreams.
But as close as these friends are, the city tugs them in opposite directions. Jan withdraws from the world, shutting himself in their shared rooftop apartment where he feverishly composes fan letters to the stars of science fiction and dreams of cosmonauts and Nazis. Meanwhile, Remo runs headfirst into the future, spending his days and nights with a circle of wild young writers, seeking pleasure in the city's labyrinthine streets, rundown cafés, and murky bathhouses.
This kaleidoscopic work of strange and tender beauty is a fitting introduction for readers uninitiated into the thrills of Roberto Bolaño's fiction, and an indispensable addition to an ecstatic and transgressive body of work.
About the Author
Roberto Bolaño (1953-2003) was born in Santiago, Chile, and later lived in Mexico, Paris, and Spain. A poet and novelist, he has been acclaimed as "by far the most exciting writer to come from south of the Rio Grande in a long time" (The Los Angeles Times), and as "the real thing and the rarest" (Susan Sontag). Among his many prizes are the prestigious Herralde de Novela Award and the Premio Rómulo Gallegos. He is widely considered to be the greatest Latin American writer of his generation. His books include The Savage Detectives, 2666, By Night in Chile, Distant Star, Last Evenings on Earth, and The Romantic Dogs.
Natasha Wimmer is the translator of eight books by Roberto Bolaño, including The Savage Detectives and 2666. Her most recent translations are The Dinner Guest, by Gabriela Ybarra, and Sudden Death, by Álvaro Enrigue. She lives in Brooklyn with her husband and two children.
Praise for The Spirit of Science Fiction:
“With words alone, Bolaño summons a visual world, creating in this book, as in his others, what Mario Vargas Llosa has called ‘images and fantasies for posterity’… admirers will find in these themes and players a satisfying proleptic glimpse of his picaresque masterpiece, 1998’s The Savage Detectives… [This] gem-choked puzzle of a book… serves as a key to Bolano’s later work, unlocking clues to his abiding obsessions … [and] is a hardy forerunner that stands on its own.” —The New York Times Book Review
“[Bolaño] is a kinetic, epiphanic writer, and even his earliest works tremble like a whirring, unpredictable machine. . . The Spirit of Science Fiction functions as a kind of key to the jeweled box of Bolaño’s fictions, an index of the images that would come to obsess him. . . . longtime Bolaño fans will doubtless enjoy this familiar cocktail of sorrow and ecstasy.” —Paris Review
“The Spirit of Science Fiction is structured unconventionally, enticing the reader to solve its mysteries. Bolaño adroitly braids three related narratives . . . an entertaining, lyrical and accomplished novel.” —Wall Street Journal “This is vintage Bolaño: a lusty and rapturous shaggy-dog tale of Latin American exiles and bohemian youth.” —Vanityfair.com
“An unusual pleasure to read. You can almost feel Bolaño shaking out his limbs. . . It's a joy to watch such a brilliant stylist practice his moves, and to see such a brilliant mind expand on the page.” —NPR.org “An impressionistic and prescient treasure.” —Jane Ciabattari, BBC Culture, Top Reads for February
“A minor gem. . . Bolaño’s lusty, laughing passion for art and literature, for women and Mexico City, is tangible here.” —Washington Post
“An intriguing and dreamy portrait of two writers taking different paths in their pursuit of their love of literature, hoping to discover their voices.” —Publishers Weekly
“The confidence, the brio, and indeed the voice we’ve come to know from the more mature Bolaño is on abundant display. The dedicated reader of Bolaño will recognize themes and characters that will undergo further development in the years to come. . . The volume will serve admirably as an introduction to this deservedly-fêted author. To detail elements of the plot, to describe any of the scenes in the novel, would be fruitless; this is the kind of book you give yourself up to, as you would tequila, LSD, hashish, a performance of Tosca, or a large bowl of spaghetti Bolognese. . . There is something indefinable about what makes Bolaño’s work so attractive, and one can only think of it as his audacity: he never settles for the mundane; he always takes risks, and his love of language is apparent on every page.” —The Nervous Breakdown
Praise for Roberto Bolaño:
“Roberto Bolaño was an exemplary literary rebel. To drag fiction toward the unknown he had to go there himself, and then invent a method with which to represent it.” —Sarah Kerr, The New York Review of Books
“Not since Gabriel García Márquez . . . has a Latin American redrawn the map of world literature so emphatically as Roberto Bolaño does . . . It's no exaggeration to call him a genius.” ―Ilan Stavans, The Washington Post Book World
“When I read Bolaño I think: Everything is possible again. To step inside his books is to accustom yourself, as much as is possible, to walking along the edge of an abyss.” ―Nicole Krauss
“The most influential and admired novelist of his generation.” ―Susan Sontag
“One of the most respected and influential writers of [his] generation . . . At once funny and vaguely, pervasively, frightening.” —John Banville, The Nation